I generally try to get it close to matching the level of the rest of the audio. We need to give the clip some audio headroom to allow room for the correction. Using the floating palette, reduce the level of the selected region. NOTE: If the entire clip is too loud, select the entire clip (shortcut: Cmd+A). Select the area of the waveform that is too loud in the Waveform Editor. (This feature has been in the software for several years, so you don’t need to be running the latest version.) Import the offending audio clip in Audition, then double-click it to display it in the Waveform Editor. What we need to do is reduce the overall level of the loudest portion of the clip, then fix the crunchy clipping using the Declipping tools. One of the benefits to using Adobe Audition to edit audio is that it has a very powerful tool to clean up this mess. ![]() ![]() NOTE: This technique can be used on any audio file that was recorded at too loud a level. Then, in the second half, the level is normal because I corrected the problem in the middle of the recording. The first half of this audio is severely clipped because the recording level was too high it sounds “crunchy,” almost distorted. In other words, there’s no assurance that anything will go right. Levels change due to the voice of the speaker, the quality of the audio gear they are using, whether the Audio/Video preferences panel is open or closed, and the quality of the Internet signal. I make a point to set audio levels before each interview, yet, sometimes I am still surprised. One of the disadvantages is that the audio quality can vary – wildly. One of big benefits of Skype is that it can reach around the world, without any long-distance phone charges. ![]() My podcast, the Digital Production Buzz, uses Skype every week to record audio interviews.
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